"Roma" by Alfonso Cuaron
"Roma"'s brilliance comes also from its rhythms. They express themselves in small and big scales. They connect social and political with personal. "Roma" says that there is balance between various layers of our existence that there is something larger than a single layer of our perception of the world, that "so above as below," or "everything is everything."
We tell each other stories usually favoring one aspect of reality over others, "Roma" gets it all enveloped in one giant sigh of wonder over our dramas, defeats and victories. A true masterpiece.
If you seek reviews of "Roma" note how ridiculous and wrong is the one by Richard Brody in the New Yorker. It is a perfect (although unintended) caricature of a socially concerned liberal intellectual blinded by political correctness.
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