The Florida Project
Some time has passed since I made the list so without re-watching the films I am relying on my memories and these elements that struck me the most. Could be (is) quite subjective:
"The Florida Project" amazes me because its aesthetics communicate social matters in an unusually powerful way. The oppressiveness of kitsch evokes economic entrapment. Never before the ugly was so painful. Perhaps because the ugly was conceived as pretty and inviting by its makers and it screams on screen both with intent, it's hypocrisy and failure - all in one.
"Twin Peaks" refreshes the narrative in a strong and nonchalant way. Not all has to be nicely tie up and connected and logical. Well, that's an understatement in this case. I like the fact that action and mood and mystery are equally important there. And it's wonderful to experience total freedom of the storyteller who at the same time fully commands our attention.
"I am not your Negro" - for its power and clarity. Also it's impressive that the director Raoul Peck manages to be a fabulous documentary filmmaker, a pretty good feature film director and in addition a mister of culture. Wow!
"Birds are singing in Kigali" - a very disturbing and innovative work. I am shocked that it didn't get more recognition. The stylistic restrain and "space off camera" techniques are right on in telling this horrifying story.
"The Square" - I love the way the space and the rhythm there strengthen moral ambiguities and hypocrisies discussed. Already the "Force Majeure" made me sit straighter because of its elegance (and cruelty) of form. "The Square" seems to take it one step forward. Watching it (twice on a big screen) I had a feeling of the pulsating, ironic, dramatic energy projected.
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